Elliot Page, a native of Canada, comes from an ordinary childhood in Halifax, Nova Scotia, other from his dual profession as a child actor. Before he was even 11 years old, Page’s first acting role in Pit Pony (1997), a movie-turned-family-drama where he also appeared, brought him critical acclaim and launched him on a rapidly upward professional route.
A decade later, Page landed the role of Kitty Pryde in X-Men: The Last Stand (2006), which has since become iconic queer representation, following critically acclaimed performances in films like the 2004 dramedy Wilby Wonderful and the 2005 dark thriller Hard Candy, in which his character uses her apparent innocence as a weapon to catch a child predator.
He won the lead role in one of the shockingly divisive films of the decade the following year, Diablo Cody’s comedy about teen pregnancy, Juno (2007). The movie, which stars Page as the title unmarried high schooler who becomes pregnant by her sometime boyfriend (Michael Cera), divided critics and activists from all political stances and brought forth a surge of bizarre interpretations.
This article talks about Elliot Page’s queer identity and what he has to say regarding him being a part of the LGBT!
Is Elliot Page queer?
Yes, Elliot Page is queer and trans; he came out as trans in 2020, when he decided to release a book during Pride month amid violent anti-trans protests in red states all over the US, making Pageboy a rather daring political statement. Although Page may seem like an unusual spokesperson for transgender rights, this very fact may be what gives his tale such strength.
Despite the fact that Page hadn’t yet come out as trans, his 2014 coming-out speech is replete with allusions to Page’s gender identity. According to a 2015 New York Times article of Page, Page had appeared as transmasculine at a young age and had authored a high school thesis questioning the existence of a gender binary.
While attempting to be conclusive, that profile also appeared to struggle to grasp Page’s persona. Author Sam Anderson notes Page’s aura of “profound moral seriousness,” but veers off to focus on Page’s forehead wrinkles for a lengthy paragraph before concluding, “That is the essence of Ellen Page: the face like a doll; the gnarled sophistication of the forehead.”
Elliot Page Wrote a Stunning Essay About His Identity, His Career and His Favorite Books
As a voracious reader, the actor also mentioned some of his favorite works by authors who identify as LGBTQ+, including How to Write an Autobiographical Novel by Alexander Chee, In the Dream House by Carmen Maria Machado, Real Life by Brandon Taylor, and Somebody’s Daughter by Ashley C. Ford.
In addition, Page provided an update on his own creative endeavors, saying that he is currently enjoying a “surge of creativity,” which has resulted in his lo-fi bedroom pop EP and a nearly finished first draught of his upcoming biography, Pageboy. Additionally, he said that he collaborated on a screenplay with his pal and tattoo artist Beatrice Brown. We don’t say this lightly but want to see the finished product.
Page also thought about the role in the indie classic Juno that made him famous: the title character, a pregnant adolescent. He added that the “vibe” of the character was “new for a film that reached the audience it reached, and with her as the title character.” “People, especially teenage girls, really responded to that character, Juno,” he wrote.
Page continued by stating that Juno is a trans film, something queer and trans people have been saying for ever.